Na No Wri Mo?

One of the biggest pieces of advice that I give out at work and that I was given at Uni was that if you have writers block, JUST WRITE. What better way to do this than to try Na No Wri Mo through November.

What is it?
National Novel Writing Month where writers around the world attempt to write 50000 words in 30 days. They couldn't have picked a month with 31? That's about 1667 words a day.

Why would you do it?
I'm doing it this year because I have a fantasy story which I wrote when I was 16/17 and never finished.  As I get older, I read less YA fiction, less fantasy and therefore I write less about it as well. I feel like if I am ever going to finish this story, it had better be when I am closer to teens than later when I'll have lost touch and become too cynical to try.

I'm also trying to practice the advice that you should learn to finish your stories as well as start them.

But I think for most people the attraction is the community, every week a Pep Talk email arrives from an author who gives you advice and enthusiasm to keep going.

Na No Wri Mo gets alot of flack because the quality of the writing isn't really taken into account when you are trying to get 50000 words out. And that is fair enough, a few people I know, not naming names, have entered Na No Wri Mo a few times and call themselves a Novelist.


So I'm doing Na No Wri Mo, it is very possible that I won't be speaking to ANYONE for the next month...I just have a few little things planned. so forgive me for the next 30 days, I'm MIA behind Na No Wri Mo lines.

Your Manuscript

When I speak to aspiring writers about what I do during my internships, I am often faced with anger. Everyday I lift a pile of envelopes and read the contents. Then there are two piles. Yes and No. and who am I to decide?

There is more that goes into this choice than you think. I have to decide first of all if the writing is good enough. Can they spell, is it well presented? What is the story line? Who would buy this (publisher wise) and does it fit in with the books already being published?  For example,even if I like it, but I know none of the agents at this agency would take it up: it's a No. 

But seriously, who are these interns? Who in a writers eyes aren't qualified to decide on an author's fate like that. Well we are and we aren't...I would say, after a year of learning and reading and judging, I am pretty qualified to decide which pile things go into. I also went to university for three years to understand how writers edit and work and change their manuscripts, I also heard of advice on how to improve writing and how to practice. I really do think I am qualified to decide. But I didn't have this much experience from the beginning, it had to be learned and as always, reading is subjective, no matter how much you try to remove yourself, your opinion is what counts. 

Why do they give what seems like the most important job to interns? For every book that is published there are 200 which didn't make it. That is 200 underdeveloped, badly timed and misdirected manuscripts just for each book. But more than anything else, the manuscript just isn't good enough. Agents have to work on the books they have already accepted, they cannot spend hours and hours reading many BAD manuscripts day after day. We are the filter system. 

Here are some mistakes that people make: 

Some writers didn't do the right research, 

only sent it to one agency, 

sent it to a publisher that doesn't accept manuscripts, 

didn't send a synopsis, 

wrote a bad/arrogant cover letter/didn't put their contact details anywhere, 

didn't follow the guidelines.

Advice to get published.

1) WRITE. SOMETHING. WORTH IT.

2) Read Simon Trewin's 'letter to an unsolicited author'. You can read the final chapter here. or the full version in the Writers and Artists' Yearbook 2014.

3) Find an agent. by sending your work to as many as possible.

 - make sure you follow the guidelines of each agency. 

 - write a new cover letter every time. 

4) If you get rejected, (which you will) send it in again a few weeks later. Don't mention it in your cover letter and just try again. WARNING most agencies will have a submission log, if you spam them they will know about it and automatically reject you. If you have been rejected more than twice go back to the manuscript. is it really ready?

5) submit the best product you can. re write, edit, change, improve. Or, submit something new.

6) Understand how publishing works, understand that the person reading your manuscript has read 10 already today, understand that you can and should try again. 

It takes a lot of work to get there but if your book is worth being published someone will recognize it. 

May Reads

What did I read in May? I thought that every month I'd do a sum up of that month's reading list and a short review of each book. I'm a bit late with May because I have had so many exciting blog posts to write!

American Psycho. 

Bret Easton Ellis

Picador 03/12/10 Paper Back

8/10

When Ed Wilson at Johnson & Alcock  found out that I had read very little American fiction he threatened to fire me if I didn't read American Psycho as soon as possible. As you can imagine I quickly downloaded the audiobook, borrowed the text from a friend, and watched the movie. 

I absolutely loved this spine tingling book. The audiobook kept me engrossed but my download was an abridged version so I was glad to read the full text. I would actually recommend this to read as an audiobook because some of the chapters are very dense, I found that particularly the chapters on music were hard going for me. I understand the intention behind it, but just in terms of reading pleasure those chapters went way down. The audiobook and movie made these sections a lot more bearable. 

It was pointed out to me that maybe all that dense material was just in an effort to build up the shock factor of horror. I agree, I think it definitely helps.  The main thing to take away from American Psycho is the social commentary on 80’s yuppie New York.  This book disagrees with the idea that people might be able to normalise a serial killer.  On the one hand he has some very strong feelings about Social activism and anti-Semitism; there is outwardly, “something sweet” about him. And on the other, we are introduced to the horrific and dead pan descriptions of his psychopathic blood lusts.

I'm still talking about it and am very glad to have been baptized with fire in American Fiction. Next, Great Gatsby, before my best friend finds out I haven't read it. 

The Bone Season. 

Samantha Shannon

Bloomsbury 20/08/2014 Hard Back

7/10

I love my copy of The Bone Season, just as a book it is a work of art. The Bloomsbury production team made some lovely choices, deep rich blues, and embossing, blazing reds of the end papers and gorgeous cover design as well. I've always loved the feel of big hardback books like this one.

I struggled with the story at first, it felt a little clumsy at times, tiny things which made me think that it had been rushed to press. I would have hoped that for a book that has had so much hype built around the whole series that it would be more delicately crafted. That rushed feeling was repeated to me by a few other readers.

It only took a few chapters to hook me into the story though.  I haven’t read an original Fantasy novel like this one for a long time.  I loved the setting, the reimagined cities of Oxford and London was almost like reading utopian steampunk.  While it is largely set in Oxford it is firmly grounded at Seven Dials in London, which is about 100 yards from my office. It still gives me a little thrill when I wander around to imagine clairvoyants picking at my aura.

I am really looking forward to reading the second book in the series, the cliff hanger-ish ending is maddening, driving me into the arms of The Mime Order Book two. I am hoping that the structural and line edits will have a little more attention paid to them in this second book, without the pressure to get the first book out. If not I don’t think I could stick around for all SEVEN of the planned titles. BUT there is a fantastic storyline, maybe I’ll forget the clumsy edits . . .

Gone Girl. 

Gillian Flynn

Phoenix 3/01/2013 Paper Back

I liked Gone Girl, I thought it was a galloping read and I enjoyed the writing style. It is unfortunate that I read Before We Met first so had already read something similar.

My comparison review of Gone Girl and Before We Met by Lucie Whitehouse is available here. 

Why I'm Not a Writer

There is an essay in the Writers and Artists Yearbook 2012 (Bloomsbury) by Alison Baverstock called Is There a Book in You? It is a very thought provoking essay:

I graduated from Bath Spa University, where the English and Creative Writing staff are some of the best in the country. Spa's MA writing course has a reputation for producing a long list of published authors alumni.  So - budding writers flock to the West Country.  My classes were filled with very talented people, amazing writers with potential basically oozing out of them.

I went to a uni acclaimed for producing authors, I did a creative writing course, and I'm not an author. Why?

I went to university with my GREAT NOVEL unwritten.  I had no big idea to give, really. I already knew that that feeling I saw in my classmates, the great work that just needed to come out of them wasn't in me. I loved my Literature modules, carrying on where I left off A levels with MORE reading, and taught by some fantastic tutors. Creative Writing was my fun. My cathartic 6 hours off from reading (and everything else) to write.

Lecture 1 of my second year I had one of the most simultaneously depressing and inspiring lectures of my uni career. Talking to this tutor was like being hit over the head with your favourite book. You love it, but it hurts! He told us to basically forget the dream of making a living out of writing. That raised some hackles, I can tell you! He probably pushed one or two of the people in the room to really focus on their goals and prove him wrong. But I never wanted to be a writer, and what he did over the next two years was give us some excellent examples of alternative routes that would still keep us in contact with books. I now realise that that is all I've ever really wanted. 

That tutor and many others drilled a sense of hard work and the importance of reading into me.  I have never met a more well read man in my life. He ended up lending me three pivotal books as source material for my dissertation, that he just happened to have! He used to make us read our work out loud to the class so that we could hear how the writer intended it to sound. And he made us comment on people's work, out loud and to their faces.  If I didn't know it before, I knew it after every one of my creative writing seminars.

I'm not a writer because I am an editor.

A Start In Books

Hi!

This is where I blog about the experience of being an English graduate trying to get a job, the internship journey, and the books I'm reading along the way.  I might also use it to review films, discuss media stories, or anything else I'm interested in. 

I am playing a tough numbers game.  I've worked as an intern in a few different departments and I know that being in the editorial department of a publishing company is where I really want to be. But my main criteria for a job would be to keep me focused and busy and to have books that I want to read at my fingertips. So really as long as I am at a trade publishers, I'll get exposure to that. 

In order to get that dream job, you need experience. Unfortunately earnest desperation doesn't work in publishing and sometimes internships don't work either. I've learnt that you have to be at the right place at the right time, which means choosing the right internships. 

This is the route I've chosen into publishing.  When I started out I asked around my family and my friends and my university to see if anyone could really give me the contact I needed for a job. But almost all my internships have come from my own perseverance and determination.  

I'll go into more detail as the blog develops, there is so much to talk about and I can't wait. I want to show what I am reading and doing and working on and to create a scrapbook of my bookish quarter-life crisis. 

This is me. I'm a publishing intern. And I'm just getting started.

BLOGEXTRA Shelfie

Terrible quality, but this is my new bookshelf. Woohoo