Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Thursday, 18 December 2014

A Christmas Memory

Last Christmas I bought my duck from Waitrose, but a few years before that, I bought a goose.

We went to the butchers first, through the fish section of the night market.  The dirty smell of raw meat wafted softly over us in refrigerated waves while we stood on the front steps. We were careful not to fall into the trap door that led into the basement. I asked if they had geese.  The butcher shouted out of the entrance.  An assistant appeared from the trapdoor with a white goose in his arms.  Mummy, knowing more about goose shopping than I, pinched and prodded the bird.  I imagined the bird blushing under its feathers when she squeezed its breasts and thighs.  It had cold yellow feet, which struggled for purchase against the butcher’s chest whilst he held it for examination.  He had it cradled between his side and his elbow, keeping its wings gently pinned.  With his other hand he stroked its tiny head with rough and blunt fingers; I could see that he chewed his dirty nails.  I put out my hand and stroked the goose’s neck.  We arranged to come back for the bird in two hours and left with the feeling of goose down still tingling on my fingertips.
                We usually had Christmas Eve dinner at a restaurant in the old flower market, which led off of the main road, but this year we thought that we would have street meat.  Even the dirty pieces of soggy cardboard and muddy rubbish didn’t make us think any less of each rickety food stand.  While we waited for our goose to be slaughtered we wandered the alleys and stopped at stalls for snacks.  The basic wooden planks of the mussel stand were rough and splintered with a wad of plastic bags tucked into the brace.  A portable gas stove stood behind the old man, the bare ring flickered its blue flames under his pot of steaming mussels.  They were stacked like bullets in the tray.  Each one stuffed with a rice and mussel meat mixture; we cracked apart the shells and heaped it into our mouths using the lid of the shell as a spoon.  The fish was so fresh; we didn’t need the offered lemon.  We walked away still scooping up the tiny piles of soft rice. We reached eager fingers into the bag pulling out each parcel and tasting the sea.
                We wandered further down the fish market, as we passed, a careless boot knocked over a bucket of live shrimp and their frantic, pink little bodies went skating over the cobbles.  The fish mongers splashed water over the lines of shining bodies to make them sparkle under the bare bulbs strung between the buildings.  Cats meowed from behind the tables and sneaked as close as they dared to the smell of salty meat.  Nearby one table, a boy was sat. He was gutting the white, blue and grey little fish, throwing their insides into the street.  The boy also scaled the fish for the customers before they were sold. He was using the cap of a beer bottle nailed onto a handle of wood, the curved rough edges perfect for catching the rounded rim of each transparent scale.  They flew up around his hands like sharp flakes of snow and settled all over his body.  He looked up from his work as he laid the little creature on the ice and smiled a watery smile at me.
                We drifted into the spice area.  The blue and grey of the fish market was transformed into a vivid colour pallet of ochres and deep reds.  The harsh bulbs of butcher shops faded into the coloured glass of fairy lights that danced wildly in the wind above our heads.  The soft interior of every shop held powdered pyramids of spice, strong enough to make you sneeze.  Here the men played dominos and back-gammon into the night, the board resting on a low stool between them. While a constant supply of tea flowed in and out on trays. A low buzz of conversation and music hummed through our skin.  The popping sounds of frying crackled in our ears, making our mouths water. 
                At my eye level a vat of oil bigger than I could have put my arms round was filled with floating skewers of chicken.  The thick pieces were turning to bright yellow in the oil, bubbles frothing round them.  This man wore a white hat and apron, dotted gently with flecks of dull grey grease from his tub.  He turned the skewers with a large, porous spoon, so that his hands weren’t singed by fat that spat upwards from the bouncing delicacies.  While we waited in the queue to shout our order, I looked around.  The cold night was misting with the breath of the public. 
Here long spice tables stored and displayed every kind of chilli and peppercorn.  I watched as a fat old woman covered from head to toe with floral patterns pointed to a few different heaps.  The spice man took a miniature shovel from each pyramid, and poured each measure into a twist of newspaper.  The little packets were placed in a bag and handed to the woman and she pawed through them carefully before she handed over the note of money to him.  We were finally at the front of the line, Mummy shouted up for two portions.  Our polystyrene boxes of chicken were handed down to us with a paper napkin under each and we opened them immediately to smell the soft yellow scent of crispy chicken. My tongue prickled with spices.
We looked for somewhere to sit down.  We could see the passage that led off to the ex-flower market, where restaurants now flourished.  These old buildings with bare mouldings open to the air and balconies with French blinds folded back against the windows.  The cobbles gave way to flag stones and a façade of Parisian style darkened the whole road of restaurants.  Each one had a waiter outside and as we walked slowly past, our chicken warming our hands, they shouted politely.  Letting on nothing we smiled and shook our heads as they tried ‘welcome’ in Russian, German, French, Dutch, Spanish and finally English. One handed me a red carnation and I hid it from mummy in my pocket.  Out of the corner of my eye I spotted a door with a wide marble stoop.  We stopped and sat in the door way and opened our picnic box of chicken. 
We were between two restaurants and watched the diners sitting outside while we ripped the strips of meat from the wooden skewers.  A large group of people were sat around some tables; they were laughing and talking, shouting to each other.  All of a sudden they shifted and their hands groped under the table and came up with instrument cases.  They were mostly string, guitars and lutes and a tambur.  The spontaneous band of friends struck up a song and those without instruments hammered along to the beat and sang at the top of their voices.  These were no Christmas carols!  The waiters grinned when they brought round the food and spread it on the table, but the singers wouldn’t stop.  They grabbed a morsel here and there between beats and drank their beer in great gulps.
The girls at the table pushed back their chairs and began to swing their hips.  Their black hair curled loosely down their backs and they snapped their fingers to the rhythm.  They shook their shoulders and stamped out the time with their feet.  They lifted bites of bread and meat from the plates, and the juice dripped down their fingers; the music didn’t stop.  Each man rose from the table slowly, arms spread wide above their heads, heads bowed, snapping their fingers to a slow beat.  Only the drums kept going, as the men filtered from the table into the road.  As they went they beckoned to other men who stood by to join them.  The waiters from both restaurants joined the line, old men and teenagers lined up, arms draped across each other’s shoulders as they began their steps.  Mummy and I clapped along as the men kicked through the escalating beat.  The line snaked all over the road, pedestrians and shoppers stopped to clap and watch, and we had front row seats.  The rhythm sped until the men couldn’t keep up and they faded back to their tables, flushed rosy by the air. 
The fast music had sped up time.  We hurried through the market again back to the butchers. Picking up the goose, Mummy and I marched back up the hill, passing it all again.  Our normal chatter had stopped and we rushed to make the midnight church service.  When we got to the church we quieted down, our hearts still thumping. It was so dark.  We whispered in the cold church and rustled our hymn sheets.  ‘Once in Royal David’s City’ came out of the darkness and the flames of the candles lit up the choir’s faces, the mouth of the soloist rounded to an O of perfect red in the light.  The warm body of the goose lay in the dark at my feet through the whole service.


Every Christmas I think of that night - my last brightly coloured memory of Istanbul on Christmas Eve.  

Thursday, 30 October 2014

How To Write Spooky Stories

It's Halloween tomorrow night and my tradition is to read by candle light. Something about the flickering shadows spooks me. There is a superstition to have a candle burn at your window to let the gouls and other beasties know that you are home and alive and not to come creeping. It is also supposed to be a beacon for loved ones who have passed on, to visit and come home, while the veil between worlds is at its thinnest.

This year I will be reading Frankenstein.

Hook
This is important in all writing. You have to make your readers interested in what you are writing about.  Your characters should make your readers FEEL. Make your characters loveable or loathsome, but the reader has to care about the characters. All suspense writing starts with the reader’s empathy and then reader’s concern.
Set up. Twist.
The greatest example of the set-up-twist is the two sentence horror story. Here is one taken from sunnyskys/blog by Therealhatman:
“I woke up to hear knocking on the glass. At first, I thought it was the window until I heard it come from the mirror again.”
The reason that this works is because it has a set up. The reader is set up to think a certain way, a false sense of security even, and then the second sentence is the twist that makes you think very differently about the first. In a short story or a novel you can do this in every chapter by creating conflict between characters or in a scene. The secret is in the twist, so let your imagination run wild!
 
You can extend the ‘set up’ for as long as you like which brings me to number two.

Avoid the dot dot dot
Suspense is a very important part of writing scary stories. A cheat to build suspense in your writing is to make big promises of action, give the reader more information than the characters, extend moments of uncertainty and always keep your promises.
A couple plan to meet at a meeting point. That is a promise of action.
But the young man’s rival finds out and hides at the meeting point with a gun. Giving the reader more information.
The couple arrive at the place with no idea of the danger. Extend this moment for as long as possible and the reader will be on the edge of their seats waiting for the rival.
Conflict. Either a fight, or a murder, or another character arrives, whatever works for your story. Keep your promises.
Remember though, that a murder or violence is not suspense. Too much violence or gore will start to not mean anything to your readers. A murder is not suspense writing. An abduction with the threat of murder is.
NOTE: Using Elipses (…) is actually the worst and a very lazy way of building suspense, avoid the dot dot dot!

Description
One of the greatest writing tips of all time is: Show Don’t Tell. Most people don’t even notice when writers use this technique but it is what turns a good story into a great one. It can be hard, when you are writing a story to spend time on the description especially when you have a really good idea you just want to get on the page as quickly as possible. But when it comes to suspense writing you HAVE to show not tell and it really helps to extend those moments of uncertainty I mentioned. It will also make your moments of conflict when you keep your promises really exciting.
An example of show don’t tell:

Tell: Megan shot him.  Show: The smell of gun powder filled the air and Megan’s arm jolted back into her shoulder as the gun went off. She hardly heard the bang before her ears were ringing. She stared across the room, where a trickle of black blood was already being sucked up by the carpet; she could almost hear it.

Use all of your senses for description so that the reader is drawn into the scene.

READ
If you want to write scary stories READ scary stories. This goes for any kind of writing. This doesn’t mean just copy an author you like. There is actually a part two to this tip.
Read and Analyse.

When you begin to feel scared while reading, stop and think HOW the writer made you feel that way. Once you understand the technique they’ve used you can use a similar technique on your own story. Maybe you will notice a Set Up-Twist or the building of suspense. Take note of how the author did it and you can start to practice it with your own writing.

Thursday, 25 September 2014

September Reads

Once again, not a very impressive list this month. Just the one to report. I'm not sure why my reading has fallen recently. Maybe I am just not very enthusiastic about some of the books on my TBR list. I haven't been excited about reading something in a while. Sometimes it helps to know that I will review it later, but mostly I am just apathetic to a lot of the books on my shelf.

I have not been reading so much on my commute. I have been very happy to listen to podcasts and try to grab some more sleep than to strain my eyes reading so early in the morning.

But enough with the excuses, there is only one book to review so here it is.

After Me Comes The Flood
Sarah Perry
Serpents Tail 26/6/14 Paperback
7/10
Book Haul (Profile)

After a long drought John decides to close up shop in London and visit his brother in Norfolk. The heat in this book is brilliant, the minds of the characters are literally crackling in it. After some car trouble, he ends up stumbling on a strange house full of an odd collection of people.

He remains in the house as a guest, a somewhat intruder into their lives. They are isolated in the house and while the world waits for the storm to break John spends the summer unraveling the histories of his strange companions.

This is a story of torturous heat in more ways than one. The tension must break. In the weather and in all of their lives, John is not a catalyst but as he becomes further and further tangled in their story, he records it all down. This story telling technique is very old fashioned, but Perry has used it to incredible strength in her debut novel.

The book struggled to get off the ground at first and frustratingly the feeling of impending events does not abate until well into the second half. I think for many readers they would not get very far, but I hope most people will persist past the 50 page rule because Sarah Perry makes big promises of action in this novel - and she delivers.

Thursday, 14 August 2014

Booky Gadgets

When you work in publishing, one can't help feeling the immense pleasure of being utterly UTTERLY swamped in books, I have books on every surface of my bedroom, the bed itself is surrounded on four sides by shelves and windowsill, desk and wardrobe, all of which have books on them. If there weren't shoes in the draw under my bed, there would be books in there too, but lets not get crazy and start throwing out pumps.

There are still a million books I want to read, and every birthday and Christmas, or just because, I am ALWAYS pleased to take a book as a gift. It is a definite winning gift for me. A book? Brilliant. I honestly love getting a book, especially if it is on my wish list. ;) 

But I've been thinking that there might be some other bookish things that people might like that are not books, and I'm not talking about Kindles, that is just a very fancy, very thin library. I'm thinking Gadgetry and accessories. So if you have a bookish friend with a birthday coming up, and you're not sure about what book to get them, why not try one of these:

Prism Glasses

Reading in bed is one of life's little luxuries, but sitting up to read can crick your neck and numb your tail bone. Or you lie on your side and read everything side ways. I would love to try prism glasses. especially at the bargain price of £6.79 on amazon. Buy here.

Transparent Book Weight

So, this is an awesome design by the geniuses at TENT. But after some research, you can't buy it anywhere, and it is almost £50 to buy it from Asia and get it to the UK! If you're ready to invest you can buy it here. I've wondered though, if it would break all your paperback spines...

A Thumb Thing


want want want want. Reading on the tube standing up has opened my eyes to the problem of one handed reading. This is how not to get an achy thumb! There are mixed reviews on Amazon, mostly about the size (medium is very small apparently) and some reports that it might damage your books. hmmm. 


Book-scented Candle!

From the Etsy shop Frostbeard studio, a husband and wife team make Bibliofile style candles including potterhead tea lights that bring the smell of your favourite books, movies and games into your room. And they're soy. Buy it from Etsy.

Magic Book Clip

Similar to the thumb thing, but I feel like this would be more of a textbook/student gadget. for when you need to prop open a book for reference for long periods of time. Buy it here!

Mark My Time Book Mark
This is meant to be to make reading fun for kids, with the Mark My Time bookmarks, you can time how long you read for, an hour here and hour there with an alarm that goes off when the hour is up. It also means when you only have ten minutes to spare before running out the door, you can lose yourself in the book without glancing up at the clock. 


The BookSeat Pillow
Another nifty solution to the crick in the neck. £35 from Amazon. There are a couple of complaints that it isn't weighted well enough and added some bean bag beans to help it stay in shape. Lots of people use it to multi-task while eating or standing and cooking, or knitting. A handy gift for anyone with RSI injuries or recovering from surgery.

Readers Night Stand

You can get these on Amazon for about £30. I think they're a great idea. Although, I do need a drawer for all the things I need every day, tweezers, sleeping pills, kindle charger...but perhaps that could all live in a box...Have a browse on Amazon.
Book Shaped Light

This clocks in at the most expensive at £95 or $160! But I just love this design. I think it would be the best bedside light ever, forget the glare of desk lamps, it casts a gentle light, and when it is closed you can just put your book on top or pop the Lumio into the bookshelf, so you can use the top of your bedside table for other things, like more books...If you buy a Readers Night Stand. Lumio is a Kickstarter success story, by designer Max Gunawan. There are a couple of things I'd be interested in learning about the Lumio design, if I ever get one, I would definitely review it with my thoughts.

Sadly I do not own any of these nifty things but I wish I did. Consider this my Christmas list.

Thursday, 15 May 2014

Why I'm Not a Writer

There is an essay in the Writers and Artists Yearbook 2012 (Bloomsbury) by Alison Baverstock called Is There a Book in You? It is a very thought provoking essay:

I graduated from Bath Spa University, where the English and Creative Writing staff are some of the best in the country. Spa's MA writing course has a reputation for producing a long list of published authors alumni.  So - budding writers flock to the West Country.  My classes were filled with very talented people, amazing writers with potential basically oozing out of them.

I went to a uni acclaimed for producing authors, I did a creative writing course, and I'm not an author. Why?

I went to university with my GREAT NOVEL unwritten.  I had no big idea to give, really. I already knew that that feeling I saw in my classmates, the great work that just needed to come out of them wasn't in me. I loved my Literature modules, carrying on where I left off A levels with MORE reading, and taught by some fantastic tutors. Creative Writing was my fun. My cathartic 6 hours off from reading (and everything else) to write.

Lecture 1 of my second year I had one of the most simultaneously depressing and inspiring lectures of my uni career. Talking to this tutor was like being hit over the head with your favourite book. You love it, but it hurts! He told us to basically forget the dream of making a living out of writing. That raised some hackles, I can tell you! He probably pushed one or two of the people in the room to really focus on their goals and prove him wrong. But I never wanted to be a writer, and what he did over the next two years was give us some excellent examples of alternative routes that would still keep us in contact with books. I now realise that that is all I've ever really wanted. 

That tutor and many others drilled a sense of hard work and the importance of reading into me.  I have never met a more well read man in my life. He ended up lending me three pivotal books as source material for my dissertation, that he just happened to have! He used to make us read our work out loud to the class so that we could hear how the writer intended it to sound. And he made us comment on people's work, out loud and to their faces.  If I didn't know it before, I knew it after every one of my creative writing seminars.

I'm not a writer because I am an editor.